|
|
|
In the
film The Year of Living Dangerously there is an Indonesian shadow puppet
theatre in which the shadows of two puppets are cast onto a sheet by a light
shining from the back. The two puppets depict the two forces which rule the
world. Through the workings of the puppeteer, first one puppet dominates over
the other. But then gradually the other gains strength and eventually bursts
out on top of the first one and dominates it for a period of time before the
whole thing repeats itself back the other way around, the first puppet bursting
its way back above the second one. Using
this model, the energy in the world slowly but inexorably swings back and
forth between these two forces, akin, in some ways, to the Yin-Yang symbol.
September
11th feels as if we've gone through one of those major shifts of one puppet
bursting up above the other.
One could
think of the 'freedom into chaos' puppet bursting onto the scene with the
60's, but because all that initial 60's freedom has been so misused and abused
and finally reached an extreme moment of chaos on September 11th, the 'power
into control' puppet has begun to push back extremely hard and has
ever since been
attempting to gain the ascendency
again. The tussle between the two puppets, or forces, is gigantic. It feels
as if we're now on the brink of greater and greater chaos. Yet, in time, out
of the chaos that will no doubt ensue over the next decades, a new order could
establish itself. If, and when it succeeds in gaining the upper hand, it will
establish itself and then will most likely be around for some time to come.
If it
manages to get the chaos under control and if we somehow do manage to pull
the world back to rights, this might one day give us a sense of safety again.
It will feel as if we've saved ourselves from destruction by chaos - planetary
& personal. By then, the control will probably be everywhere. And then
it will be time for the freedom puppet to make its re-appearence. |
|
|
|